I'm pleased to announce I'll have a story, "The Mother's Keepers," in this upcoming anthology, The Sum of Us: Tales of the Bonded and Bound
, edited by Susan Forest and Lucas K. Law.
Here's how it's described:
The world of caregivers and unsung heroes, the province of ghosts . . .
If we believe that we are the protagonists of our lives, then caregivers— our pillars—are ghosts, the bit players, the stock characters, the secondary supports, living lives of quiet trust and toil in the shadows. Summoned to us by the profound magic of great emotional, physical, or psychological need, they play their roles, and when our need diminishes . . .
Twenty-five years ago, at the age of 10, Andrew Salgado
was just another kid who’d decided to take art classes at Regina’s Neil Balkwill Centre. Today he’s a celebrated and critically acclaimed artist whose last 11 solo exhibitions (in cities as diverse as London, New York, Miami and Cape Town) have sold out, and who has been interviewed by major magazines and newspapers around the world.
In January and February, Salgado’s paintings were featured in a survey exhibition entitled TEN
at The Canadian High Commission in Trafalgar Square, London, which coincided with the release of the first artist monograph (work published in book form) featuring his paintings. He’s even been ...
A very nice review of Government House, Regina, Saskatchewan: An Illustrated History (Your Nickel’s Worth Publishing
) has appeared on the Saskatchewan Publishers' Group's SPG Book Reviews website
. Keith Foster writes, in part:
"Government House, Regina, Saskatchewan: An Illustrated History by Regina author Edward Willett is a masterful work of art in both narrative and illustration, solid in structure, and powerful in its rendition...
"Overflowing with photos of Government House and its inhabitants over the decades, this highly visual coffee table book is stunning in its beauty...
"This is a book that not only belongs on every bookshelf in Canada, it’s a book Saskatchewan residents, and in particular Regina residents, would be proud to have ...
Recently Everitt Foster over the blog A Natural Reaction
asked me to answer some questions for an online interview, one of a series he's been conducting with authors who have been early adopters of the new social media platform Gab
, a would-be Twitter rival. (My handle over there is ewillett.)
You can read the interview over there
, or you can read it right here, if you want to know more about me than you probably actually want to know about me. I even talk about religion and politics. Quelle horreur!
Tell me a little about how you were raised. What was your family like? Did they encourage reading, writing and artistic pursuits from a young age or we’re ...
Here's my latest Space-Time Continuum column for Freelance, the magazine of the Saskatchewan Writers Guild
Writers love to write about writing, probably because writing about writing is a great way to avoid actually, you know, writing.
Sometimes writing about writing takes the form of a long essay or (ahem) column; sometimes it takes the form of a sage saw, witty aphorism, clever epigram, or wise maxim (another way to procrastinate is to spend several minutes poking around a thesaurus).
Science fiction and fantasy writers have coined a number of these over the years, only some of which relate to writing. Some are more general observations, such Arthur C. Clarke
’s Third Law, “Any sufficiently ...
This story, "Google Translate AI invents its own language to translate with
" caught my eye for an odd reason.
Long-time Saskatchewan residents will recognize the word "GigaText." As I've noted elsewhere, I'm working on a book about the Progressive Conservative government of Grant Devine, which held power in Saskatchewan from 1982 to 1991. One of the boondoggles that government mistakenly invested in was a company called GigaText, which claimed it could use computers to translate Saskatchewan laws into French.
The government had to comply with a ruling by the Supreme Court that Section 221 of the Northwest Territories Act contained French-language guarantees that were still valid in Saskatchewan, and thus had to be either respected or repealed. As a result, The ...
...has appeared in Refined Regina
. Click on the image below to get a larger look at how it appeared.
Last week I interviewed world-renowned film (and stage and opera) director Atom Egoyan
, in connection with the first North American showing of his art installation “Steenbeckett” at Regina’s MacKenzie Art Gallery
. The 750-word article I wrote will appear in the next issue of Refined Lifestyles Magazine
, but I thought I’d take advantage of my blog to post a lightly-edited (for clarity and continuity) transcript of our entire conversation. He was a pleasure to talk to and I highly recommend taking in the installation (and the MacKenzie Art Gallery, one of Canada's best) if you’re in Regina.
You can read much more about it on the "Egoyan at the MacKenzie" website
Here's the first review I've seen of Line Dance
, the collection of poems that resulted from...well, I'll let the reviewer explain, because I'm tired of typing various versions of this:
Each weekday during Poetry Month in April, Hill [Poet Laureate Gerald Hill
] e-mailed SK Writers’ Guild
members a pair of first lines he’d selected from SK poetry books and invited folks to respond with poems of their own. Some, like professionals Brenda Schmidt and Ed Willett, sent poems every day. In the end, almost 500 pieces were submitted, and SK writing veteran-turned publisher, Byrna Barclay, bound what editor Hill deemed the best into a handsome package, featuring Saskatchewanian David ...
This year I've joined the Prairie Chamber Choir
, directed by Melissa Morgan. I've missed singing with a high-quality choir, and this one definitely is that. We're working toward our Christmas concert on December 18, but we did have a mini-concert recently, singing three songs by Winnipeg composer Sid Robinovitch
in the Classical Showcase of Break Out West 2016
(a.k.a. the Western Canadian Music Awards). And here's a video!
The first piece is part of the set of songs for which Sid was nominated, although, alas, he didn't win.
You'll find me second from the left (audience left, not stage left) on the back row.