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One of the more interesting projects I undertook for
Enslow Publishers was a history of the famous Mutiny on the Bounty, comparing the real-life events to the way they were portrayed in the movie starring Anthony Hopkins as William Bligh and Mel Gibson as Fletcher Christian that came out in the 1980s. I've always enjoyed reading about life at sea in the 19th century, so this was a natural fit. And honestly, what other book of mine is likely to have Anthony Hopkins and Mel Gibson on the cover?
I came away from the project with a great admiration for William Bligh, who is surely one of ...
Posted by Edward Willett at 9:09, March 31st, 2012 under Blog, Books, The Vaults |
Margaret Atwood (in)famously referred to science fiction as "talking squids in outer space," a remark to which I would take great umbrage if not for the fact that my DAW novel Lost in Translation contains a character, Karak, master of the Guild of Translators, described thusly:
Free of the watersuit and its exoskeleton, his shape was nothing bipedal at all; his almost globular, iridescent body, from which writhed six locomotive tentacles and six manipulators, moved through the water with boneless grace, gill-slits pulsating below the fringe of feeding-tentacles that encircled his beak. It seemed odd to hear perfect home-planet S’sinn emerging from that alien mouth.
For all intents and purposes, then, Lost in Translation ...
Posted by Edward Willett at 9:31, February 17th, 2011 under Blog |
...for Blue Fire was:
The much-diminished caravan of Freefolk Clan Diannan had only been on the road for an hour the next morning when the attack came.
Words today: 2,277
Words thus far: 42,652
A good morning's work. I'm getting close to 200 manuscript pages on this story. I think it's going to need considerable pruning when I get to rewriting, but the plot is advancing well.
I spent the mid-day wearing my editor-of-
Fine-Lifestyles-Regina hat, then turned into Lee Arthur Chane in the afternoon and worked on Magebane. I'm still (again) rewriting more than writing, but I really think I've got my plot demons licked this time. (Sounds like a fantasy-novel curse, actually. "Oh, ...
Posted by Edward Willett at 0:24, July 28th, 2009 under Blog |
This is cool news: J. Michael Straczynski, creator of the late, lamented Babylon 5, has written a script for a movie adaptation of the Lensmen series by
E.E. "Doc" Smith.
I devoured these classic space operas as a kid. The scale of, well, everything was enormous: ships the size of moons (long before the Death Star--Star Wars is small potatoes compared to Lensmen series, although there are a lot of similarities). Psychic abilities magnified by mysterious Lenses created by an incredibly advanced race to help in the battle against an equally advanced but EEEVIL race...men in space armor battling it out in hand-to-hand combat in ...
Posted by Edward Willett at 0:08, June 30th, 2009 under Blog |
...is now online, headlined "
RSO scores again with movies." Here's how it starts:Halfway through the second half of the Regina Symphony Orchestra's 10th annual The RSO Goes to the Oscars movie-music concert, Maestro Victor Sawa commented on the versatility of movie composers, who may find themselves writing theme music for sharks in one movie and mood music for superheroes in the next.But it wasn't just the composers' versatility on display Saturday night -- the RSO once again proved that it can tackle any style of music with verve.It may have helped that superheroes Batman (on timpani) and Iron Man (on viola) were lending a hand, on a night that also saw a family ...
Posted by Edward Willett at 16:17, March 23rd, 2009 under Blog |
..., RSO Goes to the Oscars,
is in today's LeaderPost.Here's a bit from the middle:For Sawa, switching from symphonies to soundtracks is natural.In a strange way, he says, "we owe a debt of gratitude to the Nazis. Oscar Hammerstein, Max Steiner, Eric Korngold, Bernard Hermann, Franz Waxman -- they all came over because they were being persecuted in Europe."The entire Hollywood sound was created by the classical composers of Europe."When we talk about classical music and how it survived the second half of the 20th century, everyone was going to the movies, they were listening to classical music."The snob factor is missing when you go to the ...
Posted by Edward Willett at 15:52, March 19th, 2009 under Blog |
I've been enjoying Andrew Breitbart's new
BigHollywood group blog very much, and liked this quote, from John Nolte's commentary on the Alfred Hitchcock film Notorious, in which he takes issue with those who think its ending is "hokey":“Hokey” isn’t the result of a story point, “hokey” is the result of the execution of the story point, something “Notorious” proves definitively.Why have we allowed ourselves to buy into the idea that uplifting endings are old-fashioned and “hokey?” Nihilism may never be hokey, but it sure can be lazy. Ending a film on a downer and calling it complicated and nuanced requires almost no work compared to crafting a climax that lifts the human spirit.“Notorious” ...
Posted by Edward Willett at 16:42, January 18th, 2009 under Blog |
I write nonfiction (obviously), but I also write science fiction and fantasy.We who write such stuff are occasionally asked (and occasionally wonder) if our works can continue to compete in a media universe in which “science fiction” and “fantasy” conjure up for most people Hollywood special-effects extravaganzas first, and the written word second (if at all).I was therefore heartened to read of a recent scientific study that indicates that books are every bit as good at stirring emotions as movies.(Alas, the particular emotion being studied was disgust, which is one most writers--Stephen King perhaps being the exception--only occasionally wish to invoke for fear the disgust will spill over from specific scenes to the entire ...
Posted by Edward Willett at 17:04, August 25th, 2008 under Blog, Science Columns |
Some Willetts--though not myself--are entirely fictitious.Such is the case of Dr. Marinus Bicknell Willett, the family physician of Charles Dexter Ward, and ultimately the hero of H.P. Lovecraft's novella
The Case of Charles Dexter Ward. (The image at right is of the late actor
Frank Maxwell, who portrayed Dr. Willett in Roger Corman's 1963 movie version of the story,
The Haunted Palace (he took the title from an Edgar Allan Poe story, but the main inspiration for the film was definitely Lovecraft).Wikipedia has more about the novella
here, including this note on the good Dr. Willett:...
Posted by Edward Willett at 19:08, July 29th, 2008 under Blog |
Alfred Hitchcock, James Vermiere wrote in the Boston Herald on the occasion of the centenary of Hitchcock’s birth in 1999, “delighted in terrifying audiences by manipulating them...More than any other filmmaker, he was a master at messing with our minds.”“Wait a minute!” I hear you cry (if I happen to be sitting behind you as you read this, creeping up on you, breathing down your neck, about to...Ha! Made you look!). “What does all this stuff about Hitchcock, and your rather lame attempt to capture some of the Hitchcockian spirit in the first half of this paragraph, have to do with science? Have I stumbled upon a new film criticism column by mistake?”Nay, dear reader. I ...
Posted by Edward Willett at 4:52, June 10th, 2008 under Blog, Science Columns |