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I had a nice surprise in the mail today: the
audiobook version of my children's biography of Jimi Hendrix,
Jimi Hendrix: Kiss the Sky. The book was published by Enslow Publishers; the audibook was created by Recorded Books.
[caption id="attachment_9899" align="alignleft" width="150" caption="Narrator Ezra Knight"]
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Narrator
Ezra Knight does an absolutely fabulous job, not surprising considering what an accomplished actor he is. In fact, as I started listening to the book, I had to get out my print copy because it sounded so good I actually thought they must have rewritten the introduction--but no, ...
Posted by Edward Willett at 11:53, July 22nd, 2010 under Blog |
OK, this is a rather odd entry in this series because, although it dates from 1941 (pretty much the same time as the paperbacks I blogged about previously), this book was not actually found in my mother-in-law's house: it was actually found in my mother's house, because it belonged to my father, James Willett (whose signature appears on the front).
It's the official US Army Song Book from the Second World War. It begins, as you'd expect, with the Star Spangled Banner (three verses!), but the complete contents is eclectic, to say the least:
The Star Spangled Banner
Alma ...
Posted by Edward Willett at 19:55, June 10th, 2010 under Blog |
[podcast]http://edwardwillett.com/wp-content/upLoads//2010/01/The-Scientific-Case-for-Live-Music.mp3[/podcast]
Music today is ubiquitous, both in public spaces like malls, elevators and offices and in the very private space between an individual’s ears, courtesy of personal music players.
But that’s all recorded music. Live music remains far rarer. Live musicians may occasionally show up in a public space, but you generally have to seek them out.
Which raises an interesting question. Do we perceive music differently when we watch it being played than we do when we are only listening to a recording?
Michael Schutz is both a noted percussionist and a noted researcher. Currently an assistant professor at McMaster University, he runs a research lab dedicated to studying the cognitive science of music, and the visual component of music is something ...
Posted by Edward Willett at 11:58, January 7th, 2010 under Blog |
...is
in today's Leader Post.
It begins:
What could be better than a wonderful Christmas brunch onstage at the Conexus Arts Centre?
How about a wonderful Christmas brunch followed by a performance by the South Saskatchewan Youth Orchestra?
That's exactly the hard-to-imagine-a-better-than event scheduled for this Sunday. A silent auction and food kick off the event at 11 a.m., with the concert to follow. Conductor Alan Denike will lead the 45-member orchestra, made up of players whose ages range from 12 to their early 20s, in Peter Warlock's Capriol Suite, selections from Carmen by Georges Bizet, and Leroy Anderson's Christmas Festival, before finishing up with sing-along carols.
Posted by Edward Willett at 9:25, December 10th, 2009 under Art Columns, Blog |
...is
in today's LeaderPost. It begins:
There's something surreal about watching a symphony orchestra decked out in iterations of green and white playing Prokofiev and Mendelssohn, but even if clothes make the man, they don't make (or unmake) the concert, and the Regina Symphony Orchestra gave another terrific performance Saturday night at the Conexus Arts Centre.
The highlight was Prokofiev's "Second Piano Concerto," considered one of the most difficult pieces of piano music ever composed -- and yet, so well played by soloist Hung-Kuan Chen that if conductor Victor Sawa hadn't told the audience how difficult it was they might not have suspected it -- unless they were among the half of the crowd who could see Chen's fingers flying up ...
Posted by Edward Willett at 11:02, November 30th, 2009 under Blog |
...is
online at the Regina Leader Post. It begins:
Pianist Hung-Kuan Chen isn't one to shy away from a challenge. Neither is Regina Symphony Orchestra maestro Victor Sawa.Which is why Saturday's Mosaic Masterworks concert at the Conexus Arts Centre features Sergei Prokofiev's Piano Concerto No. 2, which Sawa calls "arguably the toughest concerto ever written."
"Normally, piano music has a bass staff and a treble staff," Sawa says. "This has three. There are so many notes he couldn't even get it on two staffs!"
Because of the difficulty, the concerto is rarely heard.
"Everyone is too afraid to play it," Sawa says.
But not Chen.
Posted by Edward Willett at 9:47, November 26th, 2009 under Art Columns, Blog |
No, I haven't been blogging much. There's the novel to rewrite and the Johnny Cash biography to proofread and Fine Lifestyles Regina editing duties to look after and...well, lots.
Including directing and being part of the cast of Tent Meeting,
Regina Lyric Musical Theatre's fall show, which opens next Tuesday, November 3, and runs through November 8 at the Shumiatcher Theatre in the MacKenzie Art Gallery.
I'd tell you about it, but you can
read all about it in today's Regina LeaderPost. The story begins:
Regina Lyric Musical Theatre's production of the gospel-flavoured musical Tent Meeting opens on Tuesday.
Edward Willett, who is directing and performing in the play, ...
Posted by Edward Willett at 11:55, October 29th, 2009 under Blog |
...was in
yesterday's Regina LeaderPost. It begins:
It's a cliche, after a concert on a chilly Saskatchewan night, to say something about the performer heating things up inside despite the world outside having turned prematurely white.
But if there were ever a performer to whom that cliche was perfectly suited, it would have to be Robert Michaels, the Juno Award-winning guitarist who joined forces with the Regina Symphony Orchestra for Saturday's Flamenco Fire concert, the first in this year's Shumiatcher Pops Series.
From the opening number, it was easy to imagine, as Maestro Victor Sawa suggested, that you were sitting in Spain's Sierra ...
Posted by Edward Willett at 15:52, October 14th, 2009 under Blog |
My preview of this Saturday's Flamenco Fire Regina Symphony Orchestra Shumiatcher Pops concert, featuring guitarist Robert Michaels, is
in today's Regina LeaderPost. It begins:
For every form of music there are purists who say of certain practitioners, "That's not really (whatever form of music they're a purist in)."
Guitarist Robert Michaels admits Flamenco purists might say the same about Flamenco Fire, the concert he'll perform with the Regina Symphony Orchestra on Saturday.
But the man the Ottawa Sun once dubbed "Flamenco's version of Led Zeppelin axe-god Jimmy Page" is OK with that.
Saturday's high-energy show, he ...
Posted by Edward Willett at 12:38, October 8th, 2009 under Art Columns, Blog, Columns |
A website is never really finished, and I'm still working on this one, exploring the possibilities of the new design and adding in some things that haven't yet made the transition from the old site to the new one.
I've just restored
my page of music files. These are recordings of myself with various choruses and groups, ranging from the Harding University A Cappella Chorus and Men's Ensemble up through Midnight Sun (the a cappella group I sang with in the '9s, the University of Regina Chamber Singers, Livingston Square and Lyric Musical Theatre. There is also a recording of my dad singing Just A Closer Walk and other odds and ends.
Check it out!
Posted by Edward Willett at 23:16, May 25th, 2009 under Blog |