Edward Willett

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My review of Globe Theatre’s production of Marion Bridge…

...has already shown up online, even though it won't appear in print until tomorrow. This is the first time I've seen something I've written pop up that far ahead of the ink-on-paper version, though maybe I just haven't noticed until now. The review begins: I confess that I went into the opening night performance of Marion Bridge at Globe Theatre feeling skeptical. The premise, after all, sounds like the set-up to a joke: "A nun, an actress and a soap-opera addict walk into a kitchen ..." Not only that, the fact the three are sisters home together — in Cape Breton, no less — for the first time in years because their mother is dying made me fear I faced a turgid ...

Posted by Edward Willett at 15:26, January 22nd, 2010 under Art Columns, Blog | Comment now »

My preview of Globe Theatre’s upcoming production of Marion Bridge…

...is in today's Regina Leader Post. It begins: The 18th-century French poet Jacques Delille famously noted that while we can choose our friends, "Fate chooses our relatives." More than one family has fractured because siblings discover they have nothing in common with each other ... which is exactly what has happened to the family in Marion Bridge, Globe Theatre's next mainstage production, running Jan. 20 to Feb. 6. Written by Canadian playwright Daniel MacIvor, Marion Bridge is set in Cape Breton, where the three MacKeigan sisters have come together to care for their dying mother. Aside from their last names, they have nothing in common. Theresa (Laura Condlin) is a nun. Agnes (Liz Gilroy) is a struggling actor. And then there's ...

Posted by Edward Willett at 14:02, January 14th, 2010 under Art Columns, Blog | Comment now »

My preview of the Regina Little Theatre One-Act Plays Cabaret…

...is in today's LeaderPost. It begins: Before Angel Genereux became the producer of Regina Little Theatre's programs of one-act plays in 2007, they were seen strictly as a venue for new talent on and backstage, and traditionally drew small audiences. Genereux thought they could draw new audience members, too. She boosted publicity. The result: last spring's one-acts drew record crowds and made money for the first time ever. "It's a chance to see what RLT is all about," she says. "And it's cheap: 10 bucks!" Fast-forward to this fall. Genereux is no longer the producer of the one-acts (she's moving up to producing the main-stage shows), but she's still involved. She's directing one of the three short comedies featured in RLT's Comedy Cabaret ...

Posted by Edward Willett at 12:48, October 22nd, 2009 under Art Columns, Blog, Columns | Comment now »

My preview of the Regina Fringe Festival…

...and in particular of Julia Mackey's play Jake's Gift, is in today's LeaderPost. An excerpt: Mackey says one of the main reasons she created the show was to let veterans know that a lot of people really do appreciate the sacrifices they made. Another was to educate children, and Jake's Gift, Mackey says, elicits the same "amazing" response from 10-year-olds as it does their elders. "Those young kids really get it, and it makes them interested in history. They come up to me afterwards and want to know more about the war and Remembrance Day. That's such an incredible reward."

Posted by Edward Willett at 10:23, July 2nd, 2009 under Art Columns, Blog | Comment now »

My preview of Regina Little Theatre’s Local Talent…

...was in today's LeaderPost. It begins: Women today are expected to be beautiful and thin, wonderful mothers and wives, and dedicated to their careers -- all at the same time. Those unrealistic expectations drive the plot of Local Talent, Regina Little Theatre's final production of the season, June 10-13 at the Regina Performing Arts Centre. But while the underlying issue is serious, the play is anything but. Instead, says director Mark Claxton, "it's really funny." Read the whole thing, but note there's a phrase missing in the fourth paragraph, which should read: Local Talent, by Montreal playwright Colleen Curran, is Claxton’s first full-length directing venture for RLT, which gave him with ...

Posted by Edward Willett at 23:24, June 4th, 2009 under Art Columns, Blog | Comment now »

My review of Globe Theatre’s production of Doubt, A Parable

This is the review I've sent to CBC's Afternoon Edition and is more or less what I'll be saying on the radio this afternoon (probably about 4:10 p.m., though I haven't heard for certain). As they say, check against delivery! *** Globe Theatre is closing out its mainstage season right now with Doubt, A Parable, a Pulitzer Prize-winner recently made into a movie. Edward Willett was there last night for the opening performance and joins me now. First, Ed, tell us, have you seen the movie? No, I haven't, so the story-though I vaguely knew what it was about-was completely fresh to me. I may check out the movie now, though. Well then, let's forget the movie. Tell us about the play. Doubt, A Parable, ...

Posted by Edward Willett at 11:12, April 24th, 2009 under Art Columns, Blog | Comment now »

My review of Globe Theatre’s Mesa

Here's my review of Globe Theatre's latest mainstage production, Mesa. This is the script I've sent to CBC. Check against delivery today at 4:13 p.m. on the Afternoon Edition.Globe Theatre’s lastest mainstage production is Mesa, by Calgary writer Doug Curtis. It’s a play that takes the audience along on a road trip from Calgary to Mesa, Arizona. Edward Willett took the journey at the opening night performance last night and joins me now.Since we’ve still got snow and ice on the ground, Ed, a trip to Mesa sounds pretty appealing. How does the road trip in the play come about?Well, it’s s trip that one of the characters, Bud, played by Sheldon ...

Posted by Edward Willett at 17:59, March 20th, 2009 under Blog | Comment now »

My preview of Globe Theatre’s production of Mesa…

...is in today's LeaderPost.It begins:The premise of Mesa, which opens at Globe Theatre on March 18, sounds like the setup to a joke: "So this 30-something guy and his 93-year-old grandfather set out on a road trip together to Mesa, Ariz. ..."And sure enough, Mesa is a comedy -- but not, says director Joey Tremblay, in a "yuk-yuk, door-slamming" kind of way. Instead, he calls it a "feel-good, bittersweet, nostalgic kind of comedy."Read the whole thing.

Posted by Edward Willett at 14:23, March 12th, 2009 under Blog | Comment now »

My CBC review of Wingfield’s Inferno

Here's the written version of my review for CBC's Afternoon Edition today of last night's opening performance of Wingfield's Inferno at Globe Theatre.As they say in the political-speech-writing-biz, "check against delivery."***Globe Theatre’s latest mainstage offering, Wingfield’s Inferno, opened last night in Regina, and Edward Willett was there to see it.Q. So, Ed, for those who aren’t familiar with this whole series of Wingfield plays, maybe you can explain the basic premise.It’s pretty straightforward: to quote the plays’ website, the Wingfield plays are “about city stockbroker Walt Wingfield who quits the rat race to buy a hundred acre farm in ...

Posted by Edward Willett at 11:40, February 20th, 2009 under Blog | Comment now »

Preview of A Midsummer Night’s Dream is online

My preview of Globe Theatre's production of A Midsummer Night's Dream is online now at the LeaderPost. An excerpt:For audiences, it's not physical vocabulary but Shakespeare's 400-year-old verbal vocabulary that may intimidate. But Geoffrey Whynot, who plays Theseus and Oberon, points out that "in real life we don't necessarily hear every word someone speaks. I think if the actors are clear on what they're saying, what the relationships and the journeys are, even if the audience hears a word that's archaic, they will understand it contextually, and they will still hear the emotional life of the line."There's a lot of "emotional life" in A Midsummer Night's Dream. "The point of it is love," ...

Posted by Edward Willett at 16:58, October 9th, 2008 under Blog | Comment now »