On July 1, I had the honour to lead the singing of “O Canada” at the Lieutenant Governor’s Garden Party at Government House in celebration of Canada Day. And here’s a video! Here I am …
My young-YA/middle-grade fantasy Fireboy, already a finalist for Best Young Adult Novel in this year’s Aurora Awards and finalist for a 2027 Manitoba Young Readers’ Choice Award in the Northern Lights Division, has just been …
Had a great time being part of the cast of Regina Lyric Musical Theatre‘s production of Sweeney Todd: The Demon Barber of Fleet Street. I played Fogg (the insane asylum keeper) and also sang in …
My young-YA/middle-grade fantasy Fireboy, a nominee for Best Young Adult Novel in this year’s Aurora Awards, is also a finalist for the 2027 Manitoba Young Readers’ Choice Award in the Northern Lights Division. This is …
I’m thrilled to announce that I’m up for two Aurora Awards this year! Fireboy is on the ballot for Best Young Adult Novel, and The Worldshapers is once again on the ballot for Best Fan …
I spent a good chunk of today at Wordbridge, the annual writers’ conference in Lethbridge, Alberta. My main reason for coming was to launch a Shadowpaw Press title (Broken Realm by Jenna Greene, a Lethbridge …
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A defense of "hokey" endings
I’ve been enjoying Andrew Breitbart’s new BigHollywood group blog very much, and liked this quote, from John Nolte’s commentary on the Alfred Hitchcock film Notorious, in which he takes issue with those who think its ending is “hokey”:
“Hokey” isn’t the result of a story point, “hokey” is the result of the execution of the story point, something “Notorious” proves definitively.
Why have we allowed ourselves to buy into the idea that uplifting endings are old-fashioned and “hokey?” Nihilism may never be hokey, but it sure can be lazy. Ending a film on a downer and calling it complicated and nuanced requires almost no work compared to crafting a climax that lifts the human spirit.
“Notorious” ends on an emotional triumph that requires a genius for mature filmmaking that’s all but vanished. Irony and nihilism have their place but too often they’re a refuge for mediocrity.
I think his points apply equally well to fiction. High school students trying to be deep write ironic stories with nihilistic endings. Mature writers should be capable of more.
Permanent link to this article: https://edwardwillett.com/2009/01/a-defense-of-hokey-endings/
