I spent a good chunk of today at Wordbridge, the annual writers’ conference in Lethbridge, Alberta. My main reason for coming was to launch a Shadowpaw Press title (Broken Realm by Jenna Greene, a Lethbridge …
This is Easter weekend; last weekend, I sang in the Easter concert of First Baptist Church here in Regina as a guest soloist and chorister. The whole concert is worth listening to, but if you’d …
I put a link to this in the previous post on my Aurora-eligible work for 2025, but wanted to highlight it. This was my contribution to the Shapers of Worlds Volume V anthology, and it …
The Aurora Awards are Canada’s best-known science fiction and fantasy awards, voted on by fans every year. I’ve been fortunate enough to win twice, for Marseguro (DAW Books) (soon coming out in a new edition from Tuscany …
Put this under the category of “things I’ve meant to do for a long time”: I finally published (under my Endless Sky Books imprint) a new edition of The Haunted Horn, a modern-day middle-grade ghost …
The Shards of Excalibur audiobooks, narrated by the wonderful Elizabeth Klett, are now available again after being off the market for a short while. Best of all, while they’re once more on Audible.com and Audible.ca, you …
Previous
Next
Mozart, Mahler, Magic
My review of Saturday’s Regina Symphony Orchestra concert is now online at the LeaderPost. An excerpt:
“The Concerto for Flute and Harp “(which Sawa himself had never heard played live before now) was originally written as a piece for chamber orchestra, and thus couldn’t help but be lighter in tone. In fact, aside from two horn players, the brass section was entirely excused for this piece, which featured as soloists RSO Principle Flute Marie-Noelle Berthelet and RSO Principal Harp Cécile Denise.
The two were delightful together, the flute’s clear singing intertwined with and embellished by the rippling notes of the harp. (In fact, no offence to the orchestra players, but the sections with just flute and harp were so terrific it almost seemed a shame the piece was written as a concerto and not just as a duet.)
Read the whole thing.
Permanent link to this article: https://edwardwillett.com/2008/11/mozart-mahler-magic/
