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Had a great time being part of the cast of Regina Lyric Musical Theatre‘s production of Sweeney Todd: The Demon Barber of Fleet Street. I played Fogg (the insane asylum keeper) and also sang in …
My young-YA/middle-grade fantasy Fireboy, a nominee for Best Young Adult Novel in this year’s Aurora Awards, is also a finalist for the 2027 Manitoba Young Readers’ Choice Award in the Northern Lights Division. This is …
I’m thrilled to announce that I’m up for two Aurora Awards this year! Fireboy is on the ballot for Best Young Adult Novel, and The Worldshapers is once again on the ballot for Best Fan …
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My review of Globe Theatre’s production of Marion Bridge…
…has already shown up online, even though it won’t appear in print until tomorrow. This is the first time I’ve seen something I’ve written pop up that far ahead of the ink-on-paper version, though maybe I just haven’t noticed until now.
The review begins:
I confess that I went into the opening night performance of Marion Bridge at Globe Theatre feeling skeptical.
The premise, after all, sounds like the set-up to a joke: “A nun, an actress and a soap-opera addict walk into a kitchen …”
Not only that, the fact the three are sisters home together — in Cape Breton, no less — for the first time in years because their mother is dying made me fear I faced a turgid evening of stereotypical CanLit dysfunctional-family angst.
But thanks to Daniel MacIvor’s sharp writing, unexpected story twists, and above all top-notch performances, Marion Bridge won me over.
Permanent link to this article: https://edwardwillett.com/2010/01/my-review-of-globe-theatres-production-of-marion-bridge/