My young-YA/middle-grade fantasy Fireboy, a nominee for Best Young Adult Novel in this year’s Aurora Awards, is also a finalist for the 2027 Manitoba Young Readers’ Choice Award in the Northern Lights Division. This is …
I’m thrilled to announce that I’m up for two Aurora Awards this year! Fireboy is on the ballot for Best Young Adult Novel, and The Worldshapers is once again on the ballot for Best Fan …
I spent a good chunk of today at Wordbridge, the annual writers’ conference in Lethbridge, Alberta. My main reason for coming was to launch a Shadowpaw Press title (Broken Realm by Jenna Greene, a Lethbridge …
This is Easter weekend; last weekend, I sang in the Easter concert of First Baptist Church here in Regina as a guest soloist and chorister. The whole concert is worth listening to, but if you’d …
I put a link to this in the previous post on my Aurora-eligible work for 2025, but wanted to highlight it. This was my contribution to the Shapers of Worlds Volume V anthology, and it …
The Aurora Awards are Canada’s best-known science fiction and fantasy awards, voted on by fans every year. I’ve been fortunate enough to win twice, for Marseguro (DAW Books) (soon coming out in a new edition from Tuscany …
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My review of "Opera for Skeptics"…
…, the Regina Symphony Orchestra’s concert on Saturday night, is online at the LeaderPost.
It begins:
If the Regina Symphony Orchestra’s “Opera for Skeptics” Valentine’s Day concert was intended to convince people to fall in love with the art form, it probably failed, since very little actual opera was presented.
After all, there were no sets, no scenes, and no costumes — aside from an aluminum-foil horned helmet that adorned maestro Victor Sawa’s podium all evening.
However, if the goal was the more modest one of illustrating how much wonderful music opera has to offer, the concert succeeded admirably.
And thanks to the often-comic introductions by Sawa and guest baritone Peter McGillivray, it also went a long way to bringing opera down to earth.
Permanent link to this article: https://edwardwillett.com/2009/02/my-review-of-opera-for-skeptics/