My young-YA/middle-grade fantasy Fireboy, a nominee for Best Young Adult Novel in this year’s Aurora Awards, is also a finalist for the 2027 Manitoba Young Readers’ Choice Award in the Northern Lights Division. This is …
I’m thrilled to announce that I’m up for two Aurora Awards this year! Fireboy is on the ballot for Best Young Adult Novel, and The Worldshapers is once again on the ballot for Best Fan …
I spent a good chunk of today at Wordbridge, the annual writers’ conference in Lethbridge, Alberta. My main reason for coming was to launch a Shadowpaw Press title (Broken Realm by Jenna Greene, a Lethbridge …
This is Easter weekend; last weekend, I sang in the Easter concert of First Baptist Church here in Regina as a guest soloist and chorister. The whole concert is worth listening to, but if you’d …
I put a link to this in the previous post on my Aurora-eligible work for 2025, but wanted to highlight it. This was my contribution to the Shapers of Worlds Volume V anthology, and it …
The Aurora Awards are Canada’s best-known science fiction and fantasy awards, voted on by fans every year. I’ve been fortunate enough to win twice, for Marseguro (DAW Books) (soon coming out in a new edition from Tuscany …
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Preview of A Midsummer Night’s Dream is online
My preview of Globe Theatre‘s production of A Midsummer Night’s Dream is online now at the LeaderPost. An excerpt:
For audiences, it’s not physical vocabulary but Shakespeare’s 400-year-old verbal vocabulary that may intimidate. But Geoffrey Whynot, who plays Theseus and Oberon, points out that “in real life we don’t necessarily hear every word someone speaks. I think if the actors are clear on what they’re saying, what the relationships and the journeys are, even if the audience hears a word that’s archaic, they will understand it contextually, and they will still hear the emotional life of the line.”
There’s a lot of “emotional life” in A Midsummer Night’s Dream. “The point of it is love,” Whynot says: characters develop an understanding of love and rediscover its power.
“And it is funny,” he adds.
“It’s so funny,” (artistic director Ruth) Smillie agrees.
And she also agrees it’s about love: “Romeo and Juliet without the swords and death,” she calls it.
“It takes the same premise, star-crossed lovers, and through fairy magic and fairy mishap it all comes right in the end. Through the night the metaphor is that these young lovers are actually able to see each other as individual people, whereas before it was all about lust and honour and all the rest of it.”
Permanent link to this article: https://edwardwillett.com/2008/10/preview-of-a-midsummer-nights-dream-is-online/